Anna Munster

Deputy Director, National Institute for Experimental Arts, UNSW
Professor


Professor, Deputy Director, National Institute for Experimental Arts (NIEA)
Anna Munster has been at UNSW Art and Design since 2001 on a full-time tenured basis. She is an active researcher with two sole published books: An Aesthesia of Networks (MIT Press, 2013), and  Materializing New Media  (Dartmouth College Press 2006). She also edited Immediation I and II ( OHP Press 2019). Her current research interests are: statistical visuality and radical empiricism, the politics and aesthetics of machine learning, more-than-human perception, new pragmatist approaches to media and art, new media art environments and ecologies; time, movement and sonicity.

Anna regularly collaborates artistically with Michele Barker  from UNSW Art and Design. Barker and Munster have been working in multi-channel audiovisual environments exploring the relations between perception, movement and media.Their most recent work was the solo show, all the time in the world, 2019 for Ideas Platform, Artspace, Sydney. In 2017, they were commissioned for a multichannel audiovisual environment, pull, for Experimenta Media Arts: Make Sense, 2017–2020. They have been awarded New Work Grants, in 2012 and 2010 from the Australia Council for the Arts to realise their work. Other  projects include: évasion (2014), HokusPokus (2011). Duchenne’s smile (2-channel DV installation, 2009), Struck (3-channel DV installation, 2007).

Anna is the lead CI and partnered with Adrian Mackenzie (Australian National University) on a 3-year ARC Discovery Project: 'Re-imaging the empirical: statistical visualisation in art and science'. She is also currently a CI on the ARCDP 'The Geopolitics of Automation'. led by Ned Rossiter out of Western Sydney UNiversity.

She was a partner in a large international project, Immediations, hosted by Concordia University, Montreal and funded by the Social Science and Humanities Research Council, Canada. She has held two ARC Discovery research grants in new media and art: 'The Body-Machine Interface in New Media Art from 1984 to the Present, 2003–5' and 'Dynamic Media: Innovative social and artistic uses of dynamic media in Australia, Britain, Canada and Scandinavia since 1990'.  She was also an investigator on an ARC Linkage project, 'Australian Media Arts Database', which resulted in the Scanlines national media arts database

She is a founding member of the online peer-reviewed journal The Fibreculture Journal and has co-edited two special issues on Distributed Aesthetics and Web 2.0. and on the editorial advisory board of LeonardoBooks (MIT Press), Inflexions, CTheory, Convergence, Scan and Screen Bodies
 

Journal articles
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Tan K; Munster A; Mackenzie A, 2021, 'Images of the arXiv: Reconfiguring large scientific image datasets', Journal of Cultural Analytics, http://dx.doi.org/10.22148/001c.21374
2021
MacKenzie A; Munster A, 2019, 'Platform Seeing: Image Ensembles and Their Invisualities', Theory, Culture and Society, vol. 36, pp. 3 - 22, http://dx.doi.org/10.1177/0263276419847508
2019
Munster AM, 2016, 'Into 'inter: the between in interacting', Rivista di Estetica, vol. 63, pp. 56 - 67
2016
Munster AM, 2014, 'Transversal Interference', Leonardo Electronic Almanac, vol. 20, pp. 146 - 157, http://www.leoalmanac.org/wp-content/uploads/2014/11/LEAVol20No2-Munster.pdf
2014
Munster AM, 2014, 'Transmateriality: Toward an Energetics of Signal in Contemporary Mediatic Assemblages', Cultural Studies Review, vol. 20, pp. 150 - 167, http://epress.lib.uts.edu.au/journals/index.php/csrj/article/view/3836/3963
2014
Münster A, 2013, 'Transnational Islamic movements', Transformation, vol. 30, pp. 117 - 128, http://dx.doi.org/10.1177/0265378813476795
2013
Munster AM, 2012, '‘Pushing at Life’s Pulls. A Response to the Vital Politics of Experience in Escape Routes’', Rethinking Marxism, vol. 24, pp. 436 - 441, http://dx.doi.org/10.1080/08935696.2012.685282
2012
Barker MF; Munster AM, 2012, 'HokusPokus', Leonardo Electronic Almanac, vol. 18, pp. 52 - 58
2012
Munster AM, 2011, 'From a Biopolitical ‘Will to Life’ to a Noopolitical Ethos of Death in the Aesthetics of Digital Code', Theory Culture and Society, vol. 28, pp. 67 - 90, http://dx.doi.org/10.1177/0263276411417458
2011
Munster AM, 2011, 'Nerves of Data: the Neurological Turn in/against Networked Media’?', Computational Culture: A Journal of Software Studies, vol. 1, pp. n/a - n/a, http://computationalculture.net/article/nerves-of-data
2011
Munster AM, 2011, 'Review of Koepnick, Lutz, and Erin McGlothlin, eds. After the Digital Divide? German Aesthetic Theory in the Age of New Media in', German Quarterly, vol. 84, pp. 377 - 378
2011
Munster AM, 2010, '‘Bios and Baroque: Life in the folds of 17th-century Artifice and Contemporary Bioart’', Ars Aeterna, pp. 150 - 159
2010
Munster AM, 2010, 'Syn-aesthetics – Total Artwork or Difference Engine? Thinking Synthesis in Digital Audiovisuality', Inflexions, vol. 4, pp. http://www.inflexions.org/volume_4/n4_munsterhtml.html
2010
Munster AM, 2009, 'The Henson photographs and the `network condition`', Continuum : Journal of Media and Cultural Studies, vol. 23, pp. 3 - 12, http://dx.doi.org/10.1080/10304310802618871
2009
Munster AM; Murphie AK, 2009, 'Editorial: Web 2.0: Before, during and after the event', Fibreculture Journal, http://journal.fibreculture.org/issue14/index.html
2009
Munster AM; Lovink GW, 2005, 'Theses on Distributed Aesthetics Or What a Network is Not', Fibreculture Journal, vol. issue 7
2005
Munster AM, 2005, 'Why is Bioart Not Terrorism: Some Critical Nodes in the Networks of Informatic Life', Culture Machine, vol. issue 7
2005
Munster AM, 2002, 'Low Res Bleed: Congealed Affect and Digital Aesthetics', Australian and New Zealand Journal of Art, vol. 2, 3, pp. 77 - 95
2002
Munster AM, 2001, 'Digitality - approximate aesthetics', CTheory
2001
Munster AM, 2001, 'Collaboration, Intersection or Hybridisation?: Interfacing Art, Science and New Media', Artlink: Australian contemporary art quarterly, pp. 1 - 3
2001
Munster A, 1999, 'Is there Postlife after Postfeminism? Tropes of Technics and Life in Cyberfeminism', Australian Feminist Studies, vol. 14, pp. 119 - 129, http://dx.doi.org/10.1080/08164649993371
1999
Hickie IB; Hadzi-Pavlovic D; Ricci C, 1997, 'Reviving the diagnosis of neurasthenia', Psychological Medicine, vol. 27, pp. 989 - 994, http://dx.doi.org/10.1017/S0033291797004893
1997
Edited Books
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Munster A; Manning E; Stavning Thomsen BM, (eds.), 2019, Immediation I, Open Humanities Press, Online, http://www.openhumanitiespress.org/books/titles/immediation-1/
2019
Munster A; Manning E; Stavning Thomsen BM, (eds.), 2019, Immediation II, Open Humanities Press, online, http://www.openhumanitiespress.org/books/titles/immediation-2/
2019
Creative Works (non-textual)
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Munster A; Barker M, 2019, hold, all the time in the world, Artspace, Sydney and The Big Anxiety Festival, 03 October 2019 - 27 October 2019, medium: multichannel sound and video, at: https://www.artspace.org.au/program/ideas-platform/2019/michele-barker-plus-anna-munster-all-the-time-in-the-world/
2019
Barker MF; Munster ; Kriss K, 2017, pull, Experimenta Make Sense, RMIT Gallery, Melbourne, 05 October 2017 - 11 November 2017, medium: video installation, at: http://experimenta.org/makesense/
2017
Barker MF; Munster , 2015, evasion (duet), Motion: the body & movement in contemporary art practice, Bega Valley Regional Gallery, 17 July 2015 - 22 August 2015, at: http://www.begavalley.nsw.gov.au/cp_themes/default/page.asp?p=DOC-HDP-51-45-16
2015
Barker M; Munster A, 2014, evasion, évasion, UTS Gallery, University of Technology, Broadway, Sydney Australia, 28 October 2014 - 28 November 2014, medium: Multichannel audiovisual responsive installation, at: http://art.uts.edu.au/index.php/exhibitions/evasion/
2014
Barker MF; Munster , 2014, Struck II, Ultimo Science Festival, Powerhouse Museum, 11 September 2014 - 11 September 2014
2014
Barker MF; Munster A, 2013, Struck, Posthumanist Desire: Sexuality and Digitality in Contemporary Art, Museum of Contemporary Art, Taipei, 23 November 2013 - 12 January 2014, medium: 3 channel video installation, at: http://www.mocataipei.org.tw/index.php/2012-01-12-03-36-46/past-exhibitions/173-exhibition-review-2013/974-post-humanist-desire
2013
Munster AM; Barker MF, 2012, After Melies, Born in 1987, The Photographers' Gallery, London UK, 19 May 2012 - 27 August 2012, medium: Digital Video, at: http://thephotographersgallery.org.uk/the-wall-2
2012
Barker MF; Munster AM, 2012, HokusPokus, International Festival of Digital Art, Watermans Gallery; London, UK, 14 April 2012 - 20 May 2012, medium: Interactive installation
2012
Munster AM; Barker M, 2011, The Love Machine II, FACE TO FACE: Portraiture in a Digital Age, Seoul Museum of Art, 28 April 2011 - 29 June 2011, medium: digital images, at: http://www.dlux.org.au/cms/Past-Projects/face-to-face-portraiture-in-a-digital-age.html
2011
Barker MF; Munster A, 2011, HokusPokus, HokusPokus, CarriageWorks/Performance Space, Sydney, 04 November 2011 - 26 November 2011
2011
Barker MF; Munster A, 2011, The Duchenne Smile, The Duchenne Smile, Albury Digital Outdoor Gallery, 10 November 2011 - 23 December 2011
2011
Barker MF; Munster AM, 2010, Inside Out, Insideout: Sculpture in the digital age, DMU Cube Gallery; Leichester, UK, 01 September 2010 - 21 September 2010
2010
Munster AM; Barker MF, 2010, The brainwave of a monk meditating on unconditional loving-kindness and compassion, Inside Out, DMU Cube Gallery; Leicester, UK, 01 September 2010 - 21 September 2010, medium: 3D print, at: http://phoenix.org.uk/index.php?cms_id=267
2010
Barker MF; Munster AM, 2010, Inside Out, Love Machine II, Chulalongkorn University; Bangkok, 06 September 2010 - 16 October 2010
2010
Barker MF; Munster A, 2010, The 56th Blake Prize: Exploring the Religious and Spiritual in Art, Blake Prize for Religious Art, 06 October 2010 - 15 January 2011
2010
Munster AM; Barker M, 2010, Duchenne's Smile, File Festival, SESI Art Gallery, Sao Paolo Brazil, 27 June 2010 - 27 July 2010, medium: digital media, at: http://filefestival.org/site_2007/pagina_trabalhos_arquivo.asp?a1=330&a2=334&id=2
2010
Barker MF; Munster A, 2007, Struck, Struck, Art Gallery of NSW, 08 February 2007 - 22 March 2007, at: http://www.artgallery.nsw.gov.au/exhibitions/struck/
2007
Munster AM, 2007, Struck, Struck: Michele Barker and Anna Munster
2007
Munster AM; Barker MF, 2007, Struck: Michele Barker and Anna Munster, Struck: Michele Barker and Anna Munster
2007
Munster AM, 2002, Aller Anfang
2002
Book Chapters
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Munster A, 2019, 'Signaletic Immediations: Sensing New Media as Relational Events and Ecologies', in Manning E; Munster A; Stavning Thomsen BM (ed.), Immediation 1, Open Humanities Press, pp. 228 - 239, http://www.openhumanitiespress.org/books/titles/immediation/
2019
Munster AM, 2018, 'Conjunctive and Disjunctive Networks: Affects, Technics, and Arts in the Experience of Relation', in Sayers J (ed.), The Routledge Companion to Media Studies and Digital Humanities, edn. 1, Routledge, New York and London, pp. 274 - 282, https://www.routledgehandbooks.com/doi/10.4324/9781315730479-28
2018
Munster AM, 2017, 'Distended Nervous System: Networked Media and Its Neurological Turns', in Neidich W (ed.), The Psychopathologies of Cognitive Capitalism: Part Three, edn. 1, Archive Books, Berlin, Germany, pp. 187 - 213, http://www.archivebooks.org/2017/11/13/the-psychopathologies-of-cognitive-capitalism-part-three/
2017
Munster AM; Barker M, 2016, 'The mutable face', in Hinkson M (ed.), Imaging Identity: Media, memory and portraiture in the digital age, ANU Press, Canberra, pp. 101 - 116, https://press.anu.edu.au/publications/imaging-identity
2016
Munster AM, 2014, '“Text and Walk without Fear”: Apps and the Experience of Transparency', in Miller PD; Matviyenko S (ed.), The Imaginary App, edn. Software Studies, MIT Press, Cambridge, MA, pp. 111 - 124, http://mitpress.mit.edu/books/imaginary-app
2014
Munster AM, 2014, 'Entanglements of Brain, Technics and Experience', in Skinner S (ed.), Torque#1, Link Publications, Link Arts Center, Brescia Italy, pp. 25 - 31, http://linkeditions.tumblr.com/torque1
2014
Munster AM, 2014, 'Materiality', in Ryan M-L; Emerson L; Robertson B (ed.), The Johns Hopkins Guide to Digital Media, Johns Hopkins University Press, Baltimore, USA, pp. 327 - 330, https://jhupbooks.press.jhu.edu/content/johns-hopkins-guide-digital-media
2014
Munster AM, 2012, 'Digital Embodiment/Digital Materiality', in Wiedemann C; Zehle S (ed.), Depletion Design: A Glossary of Network Ecologies, edn. 1, INC Publications, Amsterdam, pp. 35 - 40
2012
Munster AM, 2010, 'Biotechnical Art and the Ethico-Aesthetic paradigm', in Lovejoy M; Paul C; Vesna V (ed.), Context Providers Conditions of Meaning in Media Arts, Intellect Ltd, Chicago, pp. 245 - 259
2010
Munster AM, 2008, 'Outage, Seepage, Blockage: Art and Cultural Practice in the Network', in Butt D; Bywater J; Paul N (ed.), Place: Local Knowledge and New Media Practice, edn. 1, Cambridge Scholars Press, Cambridge, pp. 78 - 92
2008
Munster AM, 2008, 'Bioaesthetics as Bioethics', in Pandolowski M (ed.), Art in the Biotech Era, edn. 1, Experimental Art Foundation Inc., Adelaide, pp. 14 - 21
2008
Munster AM, 2008, 'Welcome to Google Earth', in Kroker A; Kroker M (ed.), Critical Digital Studies, edn. 1, University of Toronto Press, Toronto, pp. 397 - 416
2008
Munster AM, 2008, '‘A vizuális információ tömörítése és felerősítése a Flash esztétikában’ (Compression and the intensification of information in Flash Aesthetics)', in Gerencsér P (ed.), Új, média, művészet. (New, media, art), Universitas Szeged Kiadó, Szeged, Hungary, pp. 159 - 176
2008
Munster AM, 2006, 'Media Art Zones - But Where`s The Media?', in Keenan and Bullock (ed.), Zones of Contact: A Critical Reader, edn. Original, Artspace, Sydney, pp. 55 - 60
2006
Munster AM, 2004, 'Digitality: Approximate Aesthetics', in Kroker A; Kroker M (ed.), Life In The Wires: The CTheory Reader, edn. 1, NWP / CTheory Books, Victoria, Canada, pp. 415 - 429
2004
Munster AM, 2002, 'Returns of The Deminishing Body', in Angerer ML; Peters K; Soufoulis Z (ed.), Future Bodies: Visualising the Body in Science and Fiction, edn. Original, Springer Verlag, Vienna, New York, pp. 143 - 161
2002
Munster AM, 2001, '‘Net Affects: Responding to Shock on Internet Time’', in Brown H; Merrik H; Rossiter N; Teh D; Wilson M (ed.), Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, Melbourne, pp. 9 - 17
2001
Munster AM, 2001, 'New Media as Old Media: Strategies of Location and Dislocation', in Shaw J; Favero DD (ed.), (dis)LOCATIONS, edn. Digital Arts Edition 1, ZKM Publications, Karlsruhe, Germany, pp. 22 - 31
2001
Conference Papers
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Barker M; Munster A, 2018, 'Moving Data: Artistic tendencies in visualising human and non-human movement', in Bowen JP; Weinel J; Diprose G; Lambert N (eds.), Moving Data: Artistic tendencies in visualising human and non-human movement, BCS Learning & Development Ltd, British Computer Society, London, UK, pp. 180 - 187, presented at Electronic Visualisation and the Arts, British Computer Society, London, UK, 09 July 2018 - 13 July 2018, http://dx.doi.org/10.14236/ewic/EVA2018.35
2018
Munster AM, 2016, 'Keynote Address:Collectivation in TechnoAnimalities: The Case of the Monkey Selfie’,', in Keynote Address:Collectivation in TechnoAnimalities: The Case of the Monkey Selfie’,, Technocollectivities,, University of Konstanz, Germany, presented at Technocollectivities,, University of Konstanz, Germany, 09 June 2016 - 11 June 2016, https://mediaandparticipation.com/techno-collectivities/
2016
Munster AM, 2015, 'Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’,', in Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’,, Tuning Speculation: III,, Toronto, Canada, presented at Tuning Speculation: III,, Toronto, Canada, 20 November 2015 - 22 September 2016
2015
Barker MF; Munster AM, 2015, 'The Feeling of the Wave (in 5 movements)', in Perception, Movement, Image – always more than human, Media Art Histories: Re-Create 2015, Université du Québec à Montréal, Canada, presented at Media Art Histories: Re-Create 2015, Université du Québec à Montréal, Canada, 05 November 2015 - 08 November 2015, http://www.mediaarthistory.org/recreate-2015
2015
Barker MF; Munster AM, 2014, 'Struck and the medicalised body', in Struck and the medicalised body, Ultimo Science Festival, Powerhouse Museum, presented at Ultimo Science Festival, Powerhouse Museum, 11 September 2014 - 11 September 2014, https://sydneyscience.com.au/
2014
Barker MF; Munster AM, 2013, 'Perception and the nonhuman', in Struck, MOCA Taipei, Museum of Contemporary Art, Taipei, pp. 84 - 87, presented at Post-Humanist Desire, Museum of Contemporary Art, Taipei, 23 November 2013 - 24 November 2013, http://www.mocataipei.org.tw/index.php/2012-01-12-03-36-46/past-exhibitions/173-exhibition-review-2013/974-post-humanist-desire
2013
Munster AM, 2012, 'Keynote Address: Transversal Interference', in Transversal Interference, Transdisciplinary Imaging Conference, Melbourne, pp. 25 - 36, presented at Interference: Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Melbourne, 22 June 2012 - 23 June 2012, http://blogs.unsw.edu.au/tiic/files/2013/03/Transimage_conference_proceedings2012.pdf
2012
Munster AM, 2012, 'Keynote Address: Tranmateriality', in Milne E (ed.), Keynote Address: Tranmateriality, CODE 2012, presented at CODE 2012, 21 November 2012 - 23 November 2012, http://code2012.wikidot.com/
2012
Barker MF; Munster A, 2012, 'HokusPokus: the magic and science of perception', in Hokus Pokus, Watermans International Festival of Digital Art, Watermans Gallery, London, presented at Watermans International Festival of Digital Art, Watermans Gallery, London, 21 April 2012 - 21 April 2012, http://www.digitalmeetsculture.net/article/watermans-international-festival-of-digital-art/
2012
Barker MF; Munster , 2012, 'The Neuroscience of Magic', in The Neuroscience of Magic, Watermans’ International Festival of Digital Art, Watermans' Gallery, London, presented at Watermans’ International Festival of Digital Art, Watermans' Gallery, London, 21 April 2012 - 21 April 2012
2012
Barker MF; Munster AM, 2010, 'The mutable face: From Electrocution to microexpression in facial regimes', in The mutable face: From Electrocution to microexpression in facial regimes, Imaging Identity: Media, Memory and Visions of Humanity in the Digital Present, National Portrait Gallery, Canberra, presented at Imaging Identity: Media, Memory and Visions of Humanity in the Digital Present, National Portrait Gallery, Canberra, 15 July 2010 - 17 July 2010
2010
Munster AM, 2006, 'Comments on `New Languages: Communicating with the Public`', in New Constellations: Art Science and Society, New Constellations: Art Science and Society, Museum of Contemporary Art, Sydney, presented at New Constellations: Art Science and Society, Museum of Contemporary Art, Sydney, 17 March 2006 - 19 March 2006
2006
Munster AM, 2001, 'Net Affects: Responding to Shock on Internet Time', in Brown H; Lovink G; Merrick H; Rossiter N; Teh D; Willson M (eds.), politics of a Digital Present, Fibreculture Publications, Australia, pp. 9 - 17, presented at Politics od a Digital Present, Melbourne, 06 December 2001 - 08 December 2001
2001
Other
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Murphie AK (ed.), 2016, The Go-To How-To Guide to Anarchiving, The Senselab, Montréal, http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/the-go-to-how-to-guide-to-anarchiving/
2016
Munster AM, 2015, 'From technology to techniques; from mediation to ‘immediation’. Or, what working with others and across media can teach us about bodies, experience and technics.', Keynote address, Unruly Techniques Symposium, Deakin University, https://blogs.deakin.edu.au/unruly/
2015
Munster AM; Mackenzie AB, 2014, Data Visualisation and radical empiricism: a workshop at the IT University Copenhagen, Denmark, http://itu.dk/tip/?p=2839
2014
Munster AM, 2014, Signaletic Immediations:sensing new media as relational events and ecologies (guest talk for 'Immediations' at Aarhus University, Denmark), http://dighumlab.com/events/immediations-presenting-anna-munster-unsw-sydney/
2014
Munster AM; Barker MF, 2012, Application ID: 168851'To create an immersive installation exploring early cinema optics and illusion' Australia Council for the Arts. New Work Michele Barker & Anna Visual Arts $20,000
2012
Munster AM, 2012, Invited \participant for the 2011 seminar on Renaissances: A Multiplicity of Rebirths, http://www.smith.edu/kahninstitute/chronicle/fall2012/renaissances_final_report.php
2012
Munster AM (ed.), 2011, Nerves of Perception: Motor and Sensory Experience in Neuroscience, Open Humanities Press, Online, http://www.livingbooksaboutlife.org/
2011
Barker MF; Munster AM, 2010, Australia Council for the Arts Application ID: Category: New Work Established for the following purpose: Title: Create a multi screen interactive artwork that explores magic, perception and neurology Amount funded: $20,000
2010
Munster AM, 2008, Invited Lecture 'An Aesthesia of Networks', for Articulating Hybridity, Frank Gertz Memorial Lecture series, Alfred University, Alfred New York
2008
Conference Presentations
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Munster AM, 2017, 'DeepAesthetics: why we need artists’ eyes on AI', presented at Visualisation Matters, University of New South Wales, 22 November 2017 - 22 November 2017, http://visualisation.matters.today/2017/
2017
Munster AM, 2016, 'Plenary Address: ‘Collectivation in TechnoAnimalities: The Case of the Monkey Selfie’', presented at Technocollectivities, University of Konstanz, Germany, 09 June 2016 - 11 June 2016, https://mediaandparticipation.com/techno-collectivities/
2016
Biddle J; Munster A; Tello V, 2016, '[Convened Seminar Series]', presented at precarity//futurity//aesthetics, CCAP and Visual Anthropology, NIEA, UNSW Art & Design, -
2016
Munster AM, 2015, 'Keynote Address, ‘Tuning in to the Signaletic: Experiments with the Imperceptible of Real time’', presented at Tuning Speculation III, Array Music and York University, Toronto, 20 November 2015 - 22 November 2015, http://www.theocculture.net/t-spec3/
2015
Munster AM, 2015, 'Keynote Address: From technology to techniques; from mediation to ‘immediation’. Or, what working with others and across media can teach us about bodies, experience and technics.', presented at UNruly Techniques, Deakin University, Victoria, 14 August 2015 - 14 August 2015, https://blogs.deakin.edu.au/unruly/
2015
Munster AM, 2015, 'Keynote Address: Nerves of Data', presented at A Billon Gadgets Minds: Thinking Widgets, Data and Workflow, Swedenborg Hall, London, 21 October 2015 - 21 October 2010
2015
Barker MF; Munster , 2014, 'The Neuroscientific image', presented at Ultimo Science Festival, Powerhouse Museum, 11 September 2014 - 11 September 2014
2014
Munster AM; Barker MF, 2013, 'Perception and the nonhuman', presented at Posthumanist Desire: International Symposium, Museum of Contemporary Art, Taipei, Taiwan, 23 November 2013 - 24 November 2013, http://www.mocataipei.org.tw/index.php/2012-01-12-03-46-26/2012-01-12-03-46-53/lectures/1001-2013112324
2013
Munster AM, 2012, ''Transversal Interference'.', presented at Interference: Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Melbourne, 22 June 2012 - 24 June 2012, http://blogs.unsw.edu.au/tiic/transdisciplinary-imaging-conference-archive-2012/
2012
Munster AM, 2011, '“‘Hahaha’ – 186,775,728 views. Emerging collectivities of publics, emerging experiences of affect across viral media.”', presented at NIEA Experimental Arts, University of New South Wales, 19 August 2011 - 20 August 2011
2011
Barker MF; Munster AM, 2010, 'The mutable face: capturing expression, identity and ideals through scientific imaging technologies', presented at Imaging Identity, National Portrait Gallery Canberra, ACT, 15 July 2010 - 17 July 2010
2010
Theses / Dissertations
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Keulemans G, 2015, Affect and the experimental design of domestic products, University of New South Wales, Art & Design, https://www.academia.edu/35605876/affect_and_the_experimental_design_of_domestic_products
2015
Munster AM, 2001, Machinic Disturbants: Genealogies of the Digital
2001
Books
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Munster AM, 2013, An Aesthesia of Networks. Conjunctive Experience in Art and Technology, Technologies of Lived Abstraction, MIT Press, Cambridge, Massachussets, http://mitpress.mit.edu/books/aesthesia-networks
2013
Munster AM, 2011, Nerves of Perception, Munster AM, (ed.), Open Humanities Press, http://openhumanitiespress.org/
2011
Munster AM, 2006, Materializing New Media: Embodiment in Information Aesthetics, 1st, University Press of New England, Hanover and London
2006
Creative Written Works
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Munster AM, 2009, ‘Data undermining: the work of networked art in an age of imperceptibility’ http://munster.networkedbook.org/data-undermining-the-work-of-networked-art-in-an-age-of-imperceptibility/, Networked: A networked book about networked art, Green JA; Hankwitz M; Mancuso M; Navas E; Thorington H, (eds.), Turbulence.org, http://turbulence.org/networked/guidelines.html
2009
Munster AM, 2007, ‘Emsamblar pensiamento colectivo: Assemblage for Collective Thought’, Aminima Magazine
2007
Munster AM, 2007, Emsamblar pensiamento colectivo: Assemblage for Collective Thought, A Minima, Espacio y Publicaciones
2007
Munster AM, 2005, Outage, Seepage, Blockage: art and cultural praxis in the network, Disobedience, Ivan Dougherty Gallery, COFA
2005
Munster AM, 2001, Symmetry and its Dissimilarities, Intersections of Art and Science, Ivan Dougherty Gallery
2001

software studies, technologies and embodiment, multichannel and interactive installation work, networks and aesthetics, art, politics and new media, process philosophy.