Uros Cvoro

Associate Dean

Associate Professor in Art Theory and Associate Dean Graduate Research at UNSW Sydney.

Books
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Cvoro U; Messham-Muir K, 2021, Images of War in Contemporary Art Terror and Conflict in the Mass Media, Bloomsbury Visual Arts
2021
Čvoro U, 2020, Post-Conflict Monuments in Bosnia and Herzegovina, Routledge, http://dx.doi.org/10.4324/9780367138448
2020
Cvoro U, 2020, Post-Conflict Monuments in Bosnia and Herzegovina: Unfinished Histories, Routledge, https://www.amazon.com/Post-Conflict-Monuments-Bosnia-Herzegovina-Unfinished/dp/0367138425
2020
Cvoro U, 2018, Transitional Aesthetics: Contemporary Art at the Edge of Europe, Bloomsbury Academic, https://www.bloomsbury.com/uk/transitional-aesthetics-9781350053410/
2018
2014, Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia Conclusion, Ashgate Popular and Folk Music Series, ROUTLEDGE, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000401254200009&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
2014
Cvoro U, 2014, The Changing Roles of the National Museum of Australia in Creating Australian Identity: How the Politics of a Nation Shaped Its Culture, Edwin Mellen Press, London
2014
Cvoro U, 2014, Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia, Ashgate Popular and Folk Music Series, ROUTLEDGE, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000401254200010&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
2014
Cvoro U, 2014, Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia, Ashgate Popular and Folk Music Series, Ashgate, London, http://www.ashgate.com/default.aspx?page=637&title_id=20098&edition_id=1209350583&calcTitle=1
2014
Cvoro U, 2012, The Changing Roles of the National Museum of Australia in Creating Australian Identity
2012
Journal articles
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Messham-Muir K; Čvoro U, 2020, 'After Aftershock: The Affect–Trauma Paradigm One Generation After 9/11', Australian and New Zealand Journal of Art, vol. 20, pp. 125 - 140, http://dx.doi.org/10.1080/14434318.2020.1764233
2020
Messham-Muir K; Čvoro U, 2020, 'Introduction', Australian and New Zealand Journal of Art, vol. 20, pp. 1 - 4, http://dx.doi.org/10.1080/14434318.2020.1764225
2020
Čvoro U; Lionis C, 2019, 'When the periphery laughs: Humor and locality in contemporary art from Greece and Bosnia and Herzegovina', Cultural Politics, vol. 15, pp. 223 - 243, http://dx.doi.org/10.1215/17432197-7515070
2019
Cvoro U, 2019, 'Heart, Hands, and Shovel: Zenica Trilogy by Danica Dakić', ARTMargins Online, https://artmargins.com/heart-hands-and-a-shovel-danica-dakics-zenica-trilogy-pavilion-of-bosnia-and-herzegovina/
2019
Cvoro U, 2017, 'Halfway tradition: TRANSITION, NATION, SEX, AND DEATH IN THE WORK OF MARINA ABRAMOVIĆ AND MLADEN MILJANOVIĆ', Družboslovne Razprave, vol. 33, pp. 35 - 50, http://druzboslovne-razprave.org/clanek/2017/85/3/
2017
Cvoro U, 2015, 'Transitional archives: art ‘in between’ historical memories in former Yugoslavia', Continuum, vol. 29, pp. 1 - 12, http://dx.doi.org/10.1080/10304312.2015.1073689
2015
Cvoro U, 2012, 'Remember the nineties? Turbo-folk as the vanishing mediator of nationalism', Cultural Politics, vol. 8, pp. 121 - 137, http://dx.doi.org/10.1215/17432197-1572021
2012
Cvoro U, 2008, 'Dialectical image today', Continuum : Journal of Media and Cultural Studies, vol. 22, pp. 89 - 98, http://dx.doi.org/10.1080/10304310701713542
2008
Cvoro U, 2006, 'Conference Report', Australian and New Zealand Journal of Art, vol. 7, pp. 17 - 23, http://dx.doi.org/10.1080/14434318.2006.11432760
2006
Cvoro U, 2006, 'Crocodile Tears', Broadsheet
2006
Cvoro U, 2006, 'What will the neighbours think?', Broadsheet
2006
Cvoro U, 2006, 'Contact Zone Cronulla', Broadsheet, vol. 35
2006
Cvoro U, 2006, 'Transforming Aesthetics: Review', Australian and New Zealand Journal
2006
Cvoro U, 2006, 'Monument to Anti-Monumentality: The Space of The National Museum of Australia', Museum and Society
2006
Cvoro U, 2002, 'The Present Body, The Absent Body and The Formless', Art Journal, vol. 61, pp. 54 - 63
2002
Cvoro U, 2002, 'The present body, the absent body, and the formless', Art Journal, vol. 61, pp. 54 - 63, http://dx.doi.org/10.1080/00043249.2002.10792136
2002
Cvoro U, 2002, 'The present body, the absent body, and the formless (Rachel Whitehead's 'House', a site-specific art project)', ART JOURNAL, vol. 61, pp. 54 - 63, http://dx.doi.org/10.2307/778151
2002
Conference Presentations
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Cvoro U, 2019, 'Light at the End of the Tunnel: Ethnonational and Neoliberal Borders in Bosnia and Herzegovina', presented at Why Remember? Memory and Forgetting in Times of War and Its Aftermath, Sarajevo, 09 July 2019 - 10 July 2019, https://whyremember2019.wordpress.com/
2019
Kelley L; Cvoro U, 2016, 'What Does Nationalism Taste Like?', presented at Conspiracy Talks Series, Sydney, NSW, 24 August 2016 - 24 August 2016
2016
Creative Written Works
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Cvoro U, 2017, After New Primitivism, My Parent's Bedroom (Exhibition by Mladen Miljanovic at Museum of Contemporary Art of Republic of Srpska), http://msurs.net/index.php/en
2017
Book Chapters
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Cvoro U, 2016, 'Transnational Aesthetics: Apprehending Time Between the Balkans and Europe in Contemporary Art Practices', in Krajina Z; Blanusa N (ed.), EU, Europe Unfinished: Mediating Europe and the Balkans in a Time of Crisis, edn. Radical Cultural Studies, Rowman & Littlefield International, London, https://rowman.com/ISBN/9781783489787/EU-Europe-Unfinished-Mediating-Europe-and-the-Balkans-in-a-Time-of-Crisis
2016
2014, 'Turbo-art: Music and National Identity in the Work of Contemporary Artists from Former Yugoslavia', in TURBO-FOLK MUSIC AND CULTURAL REPRESENTATIONS OF NATIONAL IDENTITY IN FORMER YUGOSLAVIA, edn. Ashgate Popular and Folk Music Series, ROUTLEDGE, pp. 105 - 128, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000401254200006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
2014
2014, 'They Can Be Heroes: Popular Culture and Public Sculpture in Former Yugoslavia', in TURBO-FOLK MUSIC AND CULTURAL REPRESENTATIONS OF NATIONAL IDENTITY IN FORMER YUGOSLAVIA, edn. Ashgate Popular and Folk Music Series, ROUTLEDGE, pp. 129 - 153, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000401254200007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
2014
2014, 'The People's Eastern Kitsch: Self-management, Modernisation and 'Newly Composed Folk Music' in Yugoslavia', in TURBO-FOLK MUSIC AND CULTURAL REPRESENTATIONS OF NATIONAL IDENTITY IN FORMER YUGOSLAVIA, edn. Ashgate Popular and Folk Music Series, ROUTLEDGE, pp. 29 - 54, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000401254200003&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
2014
Creative Works (non-textual)
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George P, 2012, Fog Gardent Exhibition catalogue, FOG GARDEN, Breenspace; Sydney, -
2012

2018-2021 $293,380 ARC Linkage Project, Chief Investigator: Art in Conflict: Transforming contemporary art at Australian War Memorial, partnering with the Australian War Memorial and the National Trust of NSW, with academic team A/Prof Kit Messham-Muir (lead CI, Curtin), Prof Charles Green (University of Melbourne) and Prof Ana Carden-Coyne (University of Manchester). Overall project budget of $1,226,506.